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On August 11 and 12, last year, MIHO MUSEUM and the Shigaraki Ceramic Cultural Park sponsored Message from the Museums 2003: Encountering Japans Treasures-A Comprehensive Study in Cooperation with Museums. We invited Takahashi Naohiro, curator of the Setagaya Art Museum, to be the coordinator of the workshops held at the two museums, and about 130 school teachers and people affiliated with the museums participated in them. |
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The first activity took place in the morning at MIHO MUSEUM, where the participants toured the exhibitions in groups and tried to solve a Mysteries of the Museum orienteering quiz. They responded with delight to unexpected questions, such as How many animals are in the picture? and Which hands thumb is raised? In the afternoon, they experienced Touching the Real Thing: From the Backstage of History, a program based on classes that MIHO MUSEUM conducted at several elementary schools in Kusatsu City. First, they learned about the instruments used in Noh, including the flutes and drums, followed by a performance and a special focus on one particular type of drum, the tsutsumi (hand drum). Then, in an experience that they could only have with the cooperation of MIHO MUSEUM, the participants examined two replicas-a letter by the warlord Oda Nobunaga (1534-82) and the Hand Drum with Lightening in Makie, which appears in the letter. Together with the curators, they deciphered the letter and confirmed that the drum was indeed the same as that described in the letter from the famous warlord. | |||
On the second day, the participants went to Shigaraki Ceramic Cultural Center for a workshop on pottery, followed by a panel discussion on art museum experiential learning in which they reviewed the entire seminar and the role of cooperative classes between museums and schools. This training yielded many benefits. Through the museum workshops, the schoolteachers experienced the importance of museum and learned about the relationships between museums and schools. The experience also strengthened the relationship between the museums themselves. | |||
Reading Classical Documents |
Museum Orientation |
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